The pattern is simple, with a lot of empty room, no fast notes or fills, and from a sound design perspective, the bass sounds pretty destroyed. 808 Pattern #10 – 164 BPMįuture’s and Drake’s “Life is Good” comes with a typical Drake 808. Although there’s once again a lot of space left out, you’ll also find sequences of multiple notes right after each other, for example at the end of every 8 bars. And although the notes on their own aren’t anything special once again the combination can instantly be noticed by anyone who is familiar with the song. Most hits are based around the route note E, but they’re also a bunch of variations on G and B. Once again, the 808s are rather short and there’s a lot of space between the notes. Talking about huge hits, “WHATS POPPIN” by Jack Harlow, Dababy, Tory Lanez, & Lil Wayne is based around 145 BPM. The special part about this is, that 3 notes laying right next to each other usually don’t appear in a normal major or minor scale. The pattern is extremely slow and low and only consists of the 3 notes: B, C, and C#. 808 Pattern #7 – 133 BPMĪnother hit you couldn’t escape from in 2020 is Cardi B’s and Megan Thee Stallion’s “WAP”. The arrangement of these notes compared to other songs makes it extremely noticeable, although the rhythm and notes on their own aren’t even that special. Once again the rhythm is syncopated and based around 4 notes: E, G, F# & C. If you’re regularly on TikTok or Instagram there’s no chance you aren’t recognizing Masked Wolf’s “Astronaut In The Ocean”, which is 150 BPM fast. However, some of the notes have a slight pitch bend, which sounds like one note is sliding to the next one. No space is left between the notes and there aren’t any notable fills or variations. The 808 is slow, clean, and follows the route notes of the chords. 808 Pattern #5 – 129 BPMĮven slower than that is Doja Cat’s and The Weeknd’s “You Right”, with a tempo of 129 BPM. At the end of every 4 bars, there’s a fill. 808 Pattern #4 – 136 BPMĭrake’s “Wants and Needs” has, with a tempo of 136 BPM, a slower feel to it that stays once again on the same note, which is in this case a really low B. The 808 is rather long, there’s no space left between any hit, and there aren’t any crazy fills. “Every Chance I Get” by DJ Khaled, Lil Baby, and Lil Durk has a syncopated 808 line staying on G for 8 entire bars. The bass follows the route notes of the beat’s synth chords melody. Compared to the previous pattern you get way fewer notes with long breaks between each hit. Next up is Trippie Redd’s 154 BPM fast Miss The Rage feat. As usual for 808s, the rhythm is syncopated. While being quite fast with a tempo of 186 BPM, the 808 stays on the base note E for the majority of the time, with variations at the end of every 4 bars. The first pattern is taken from Saweetie’s and Doja Cat’s “Best Friend”. Disclaimer: These MIDI files include information taken from popular Hip Hop productions, so they’re meant for educational purposes only.Ĭlick Here to Download 808 Pattern #1 – 186 BPM Now that we got this out of the way, click on the button below to download the 10 patterns we’re going to take a closer look at now. Therefore, I’d highly recommend checking out the following 808 resources as well. In hip-hop today, the tags add to a song, creating hype and anticipation when the song has barely started.In order to create a perfect 808 bassline, you need 2 things: a hard-hitting 808 that matches the character of your arrangement and a decent pattern. Here, XXL highlights some of the most popular producer tags, from the names you need to know in hip-hop.įrom ChaseTheMoney's "ChaseTheMoney ChaseTheMoney," voiced by Valee, to EarDrummers' pitched-down tag or the internet favorite P'ierre Bourne catchphrase, "Yo, Pi'erre, you wanna come out here?," rap listeners already know what they are in for, just off of a short audio clip. Add in the prevalence of social media and the much smaller proximity of producers to fans and your tag can become huge. Surging to popularity in the early 2000s, producer tags are everywhere now. One of the ways producers separate themselves from the pack is with a tag, an audio drop that plays during their beats that makes it clear who produced the track. In hip-hop, there's always been appreciation for having a "calling card." Whether it's a rapper having a go-to ad-lib or a production style being so unique that you know it every time a song plays, artists within the genre want to stick out.
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